My longtime friend Paul Hurd recently asked me to name my 10 favorite jazz picks, so here goes my first installment (i.e., the first 3). My criterion for this list: music that has moved me.
Inspiring article in New Scientist about "The dam that broke the Berlin Wall": "We announced that we didn't accept censorship. We would act as if we were living in a democracy"
Lars·son·Fest
n. pl. Lars·son·Fests
1. A gathering or occasion characterized by a specified activity, often involving mirth and high spirits, and always involving good company (i.e., past, present, and/or future friends and clients of the law firm of Larsson & Scheuritzel).
[Term coined by the estimable Ms. Patricia Merwin; from Swedish Larsson, son of Lars; and from German Fest, festival, from Middle High German fest, from Latin fēstum1.]
2. An on-line, web log version of the foregoing, with special emphasis on items that strike the authors as either fun, surprising, inspiring, useful, or otherwise worthy of notice.
v. Lars·son·Fest
1. The act of conducting a Larsson Fest (e.g., “Oh, you’re in town next week? When and where are we going to LarssonFest?”)
____________________________________________________________
1 The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company, quoted by http://www.thefreedictionary.com/fest (retrieved 11 August 2009).
All of us who spend time and energy seeking to communicate with and persuade others can benefit from Art & Copy, a film about "really good advertising" made by documentary filmmaker Doug Pray, which I saw last night in New York City.
So now I say this is a good age, and we need not quarrel with it. We must understand it, if we can. At least we must do our work in it.
"The New Education," President Chamberlain's Inaugural Address, 1872
The dogmas of the quiet past, are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise -- with the occasion. As our case is new, so we must think anew, and act anew. We must disenthrall ourselves, and then we shall save our country.
Annual Message to Congress, Concluding Remarks, December 1, 1862
.jpg)
Interesting excerpts available here from Elizabeth Bergman's book Music for the Common Man: Aaron Copland during the Depression and War,, regarding Copland's Lincoln Portrait, written during some of the darkest days of World War II:
... And steadfast as Keats' Eremite,
Not even stooping from its sphere,
It asks a little of us here.
It asks of us a certain height,
So when at times the mob is swayed
To carry praise or blame too far,
We may choose something like a star
To stay our minds on and be staid.
The Complete Poems of Robert Frost 1949
Nietzsche was the one who did the job for me. At a certain moment in his life, the idea came to him of what he called “the love of your fate.” Whatever your fate is, whatever the hell happens, you say, “This is what I need.” It may look like a wreck, but go at it as though it were an opportunity, a challenge.
Reflections on the Art of Living: A Joseph Campbell Companion, Ed. Diane K. Osbon. New York:HarperCollins, 1991.
Before I go on with this short history, let me make a general observation -- the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function. One should, for example, be able to see that things are hopeless and yet be determined to make them otherwise.
The Crack-Up, originally published in Esquire, February 1936, accessed here on 27 March 2009.